From Breakfast in ~ Tiffany’s come My same Lady: these are several of the ideal places to look for out the incomparable Audrey Hepburn.
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The daughter that a dutch baroness and an English fascist, Audrey Hepburn appeared to come from nowhere and also disappeared just as quickly. Having won one Academy compensation for her Hollywood debut, roman inn Holiday (1953), she ended up being the embodiment that a new kind of screen chic. But, when she worn down of playing gamine Cinderellas, she was limited in her ambition to flourish as an actor by her protective yet controlling husband, Mel Ferrer. By the time she freed herself, she had determined she no much longer wanted to be a movie star. Hepburn only showed up in four movies in the critical 25 year of her all-too-brief life, but the 16 she made in between 1953-67 carried her five Oscar nominations and also helped redefine cinematic charisma.
Roman vacation (1953)
Director william Wyler
Having play the function of a life time while hiding she English beginnings in Nazi-occupied Holland, Audrey Hepburn was subsisting ~ above walk-ons in British pictures when the French writer Colette spotted her on place for Monte Carlo baby (1951) and cast her in the Broadway production of Gigi. Such to be the acclaim that William Wyler insisted on choosing her end Jean Simmons together the runaway princess that charms American reporter Gregory Peck while scooting around the Eternal City top top his Vespa. Enchantingly combining demure innocence with mischievous poise, Hepburn deservedly winner an Oscar. She later reunited v Wyler top top The Children’s Hour (1961) and also How come Steal a Million (1966).
Director Billy Wilder
Despite jokingly telling Time magazine that she still had actually “to learn how to act”, Hepburn adhered to her Oscar through a Tony for Ondine before starting her seven-year address Paramount v Billy Wilder’s featherlight take on Samuel Taylor’s stage fairytale around the chauffeur’s daughter who drops for the boss’s son(s). Can not to land Cary approve to play william Holden’s enlarge brother, Wilder plumped for Humphrey Bogart, who took an immediate dislike come his inexperienced co-star. Whereas Holden fell in love v Hepburn and tried to rekindle your affair on Paris once It Sizzles (1964). However her just lasting relationship forged during the shoot was v designer hubert de Givenchy.
Funny challenge (1957)
Director Stanley Donen
A trained ballerina whose skills had illuminated Thorold Dickinson’s The mystery People (1952), Hepburn to be so keen come co-star with idol Fred Astaire the she decreased Vincente Minnelli’s Gigi (1958) to play the Parisian bookstore clerk who inspires a visiting American photographer. Dressed in beatnik black, Hepburn proves a graceful companion in a Pygmalion scenario that screenwriter Leonard Gershe based upon Richard Avedon’s connection with model Dorcas Nowell. Cinematographer ray June lovingly records Hepburn’s elfin beauty, beauty in close-ups that cannily discuss the an altering face of filmic technology. Indeed, director Stanley Donen anticipates French new Wave self-reflexivity with his dazzling intuitive ingenuity and also witty parodies the modernity and MGM glitz.
Love in the Afternoon (1957)
Director Billy Wilder
Although Hepburn broke the record fee because that an actress once she obtained $350,000 to headline King Vidor’s War and also Peace (1956), Hollywood never ever quite trusted her to bring weighty dramas, particularly when she excelled in ~ frothy confections like Billy Wilder’s variation of Claude Anet’s novel, Ariane. The story the a Parisian detective’s daughter who warns a philandering businessman around a jealousy husband’s murderous intentions bore a resemblance to Bluebeard’s Eighth mam (1938), i beg your pardon Wilder had actually written for serious Lubitsch. However it wasn’t the amorality of the subject matter that caused ructions but the period difference in between Hepburn (27) and Gary Cooper (55). Nevertheless, they happiness in one undervalued gem.
The Nun’s Story (1959)
Director Fred Zinnemann
Between transforming down the part of anne Frank and also playing one Amazonian bird girl in environment-friendly Mansions (1959), Hepburn embraced the role that changed her life. When making Fred Zinnemann’s adaptation of Kathryn Hulme’s novel about Belgian education sister Marie-Louise Habets, Hepburn became aware of the humanitarian tasks of the unified Nations, to which she would devote the latter component of her life. But, by safety preparatory time inside a convent, she additionally discovered a brand-new approach come acting and channelled the pain of enduring a miscarriage right into Sister Luke’s struggles with obedience and also taking pride in her Congan missionary achievements. Range declared the her best performance.
Breakfast in ~ Tiffany’s (1961)
Director Blake Edwards
Having play a racially abused aboriginal American in john Huston’s The Unforgiven (1960), Hepburn landed the function of Holly Golightly that author Truman Capote had constantly envisaged for Marilyn Monroe. As an introvert, Hepburn admitted “playing the extroverted girl to be the hardest point I ever did”. Yet, despite “the average reds”, she looks for this reason cool in Givenchy’s “little black color dress” and so sweet sit on a window ledge strumming a guitar along to ‘Moon River’ that it’s often an overwhelming to remember exactly how she survives (“Here’s $50 because that the powder room”) in the brand-new York she inhabits alongside struggling writer George Peppard and also a stray marmalade tabby named Cat.
Director Stanley Donen
After several near misses, Hepburn finally got to co-star through Cary grant in Stanley Donen’s wittily engrossing spy thriller, i beg your pardon afforded she the opportunity to interact in a small North by Northwest (1959) pastiche after she had actually turned under Alfred Hitchcock’s No Bail because that the judge in 1959 due to the fact that it had a rape scene. The goes there is no saying that the pair’s byplay is exquisite, recalling Grant’s pursuit by an additional Hepburn in Howard Hawks’s bringing Up baby (1938). Yet, if grant hadn’t disliked Hawks’s manuscript for Man’s favorite Sport? (1964), the wonderfully knavish trio that Walter Matthau, James Coburn and also George Kennedy would have actually been menacing Warren Beatty and Natalie wood instead.
My same Lady (1964)
Director George Cukor
A lot is said about Hepburn depriving Julie andrews of the role of Cockney flower girl Eliza Doolittle that she had created on Broadway, but few remember that Paramount had actually once planned come star Hepburn in a non-musical biopic the Maria von Trapp. Rex Harrison did retain the function of Henry Higgins after Cary provide famously declined. Yet, while Hepburn would miss out on an Oscar nomination after ~ George Cukor compelled her to mime come Marni Nixon’s playback, she earned her $1m dues by rising admirably come the an obstacle of a Shavian instance that must have reminded her of her own postwar diction classes v veteran gibbs Felix Aylmer.
Two because that the road (1967)
Director Stanley Donen
Hepburn to be 36 as soon as Stanley Donen and screenwriter frederic Raphael talked her right into a project she not just felt was risqué but additionally came excruciatingly close to home. V her very own relationship through Mel Ferrer in serious difficulty, rumours spread that she and also younger co-star Albert Finney had end up being exceedingly close while making this modishly non-linear cross-France chronicle of a 12-year marital relationship drifting towards the rocks. However Finney challenged Hepburn to jettison countless of her trademark mannerisms and also reinvent herself together a mature mrs who had bitter rows rather than witty repartée and also wanted sex and romance. Consequently, she come as close as she ever did to playing herself.
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Wait until Dark (1967)
Director Terence Young
Hepburn earned her fifth Oscar nomination for her beguiling display of vulnerability and also mettle in Terence Young’s oppressively tense adaptation the Frederick Knott’s phase hit. She all set assiduously in ~ the Lighthouse for the remote in brand-new York and also took lessons in Braille and also using a white stick. Thus, she resented being required to wear call lenses to hide her expressive eyes. But they also masked the pain of she off-screen problems with producer-husband Mel Ferrer and, following their divorce, Hepburn battered the screen for ripe years. She then donned a habit once much more to co-star through Sean Connery in Richard Lester’s poignant paean to shed youth, Robin and also Marian (1976).